Just above the Peak District village of Castleton there lurks a very large cave. So large, in fact, that it would take several days of crawling in the dark if one were foolhardy enough to try and traverse its entire thirteen mile extent. Those, like markontour, who regard such exploits as very much for other people to enjoy, can nevertheless experience some of the beauty of the caves from the relative safety of an entrance known as The Devil’s Arse.
Gruff Rhys is an artist who specialises in creating something new, unique and wonderful at least once a year. Markontour and other fans of the band which brought him to indie-fame were distraught when the Super Furry Animals went on hiatus in 2010, but left to his own devices Gruff Rhys ventured off in all kinds of interesting directions. Last night we had the pleasure of seeing him in his latest incarnation, a seer of dystopia, performing his new album, Babelsberg, in front of a rapt Oxford audience.
Peterloo, Mike Leigh’s masterful new film, is a dramatic account of the massacre by drunken Yeomanry of unarmed families meeting in Manchester in August 2019, to call for working class men to have the right to vote. It was a formative moment in modern British history and, as the historian E.P. Thompson put it “Within two days of Peterloo, all England knew of the event”, yet it is barely know about today. Leigh’s film ought to do something to redress the balance.
The Leyton Marshes, part of the Lea Valley which flows down from the Chiltern Hills all the way through London to disgorge into the Thames near Poplar, is a rare haven for wildlife and tranquility in the great metropolis in which markontour lives. Indeed, the beauty of the Lea Valley’s parks, canal and marshes is the main reason we moved to Walthamstow fifteen years ago. Yet now it is threatened by a badly conceived development put forward by the very authority that was created to protect it. It has to be stopped.