Prior to the anthropocene, a daffodil’s message that it was ready to be pollinated might have drifted many miles, attracting thriving populations of bees and ladybirds from a wide neighbourhood. Today a flower’s range is likely to be restricted to a couple of hundred metres, as dirty air dampens their scent and mobile phone traffic messes up the subtle electronic signals that pollinators use to identify and map the right flowers to visit. This and so much more I learned at wonderful ‘Swarm: artists respond to the pollinator crisis’ exhibition at the little Vestry House Museum in Walthamstow this weekend.
Having the hills and mountains of Wales as a backdrop helps make Green Man the most beautiful of British music festivals, a visual winning card that was matched this year by a gorgeous programme of folk-influenced performers, surely the largest array of decent ales and ciders outside of a beer festival, and the ritual of burning the eponymous green man, taking with it to the skies hand-written messages of the festival-goers hopes and dreams.
This weekend’s British Sea Power curated Krankenhaus festival on the Cumbrian coast has been pure joy. Housed in a barn on the Muncaster Castle estate, it felt like a legal rave curated by a nature-loving art-school band. Where else would you get hear everything from folk to tree-people trance, alongside a reading from the poet laureate, late night DJ-ing from a snooker legend, and musically enhanced bingo from Japanese punk band?
A recent blog by my colleague, Luke Sherlock, comes highly recommended by markontour and is well worth a read for anyone still wondering if China is serious about building an ‘ecological civilisation’. Reviewing Barbara Finamore’s recent book, ‘Will China Save the Planet?’, Luke highlights that China’s federal government is quietly delivering something like the Green New Deal that a growing climate emergency movement is demanding in the USA and Europe (and is already being delivered in cities like Los Angeles and New York).
This year’s Glastonbury will be remembered for the sunny weather, for sure, but also the most extraordinary Pyramid stage show that I can remember in twenty-seven years as a Glastonbury regular. 2019 is the year that Stormzy headlined Glastonbury.
During a London Climate Week event at Chatham House* last week an audience member asked the panel of which I was a member “How are we going to make people pay for climate action?” Given that the questioner had introduced herself as representing the oil company, Shell, my flippant response was that I knew where to start – by taxing those who have done the most to cause a climate crisis, namely fossil fuel companies like Shell. In fact we should tax them out of business, because companies that continue to put short term profit before the continued existence of the human race don’t have a place in a climate-safe world.
Radio, a mesmerising one-person play at Dalston’s Arcola Theatre, will make you laugh, ponder, look at the Moon in a new way, and always carry a playing card or two in future.