In a vital and captivating free new exhibition the Museum of London is celebrating forty-years since the release of London Calling by The Clash. It’s an album that is both precisely of its time and yet timeless, a spirit that the curators (working with the surviving members of the band) have managed to capture perfectly. Markontour has visited twice already in its first week and I’m sure I will be back a few more times before it closes in April.
On the top floor of a Tudor hunting lodge at the edge of Epping Forest, something both strange and enlightening happened this weekend. “On All Hallows Eve, when the veil between the living and dead is at its thinnest” Becoming the Forest, and installation by Norwegian artist, Una Hamilton Helle, invited visitors to “take part in an audio journey celebrating the oncoming winter, populated by the voices of forest dwellers past and present, including the trees themselves.”