Despite the constant flood of bad news related to Covid-19, there are signs we are also witnessing unprecedented global dialogue, innovation and collaboration, offering hope that…
The COVID-19 crisis has again laid bare the current inability of nation states to work with each other to solve global problems in the face of President Trump’s continuing assaults on international institutions. In stark contrast, the world’s mayors leading cities worst affected by the COVID-19 crisis have been strengthening collaboration based on good science, robust data and common human interest, building off a decade of co-operation to tackle climate change.
Yesterday at Ty Cerrig we celebrated the return of the House martins. Not the reforming of Hull’s finest indie band, but the arrival of the little blue-backed, white-fronted birds that live in our eaves from spring to late summer.
As we enter a third week of lock-down in Britain, markontour’s isolation playlist is growing nicely, now topped up by some wonderful on-line live sessions, Jarvis dj-ing from his living room, and the daily pleasure of Chris Packham and Megan McCubbin’s ‘Nature Livestreams’. The whole playlist is available here.
“We disrupt eco-systems, and we shake viruses loose from their natural hosts. When that happens, they need a new host. Often, we are it.” So argues David Quammen in We Made the Coronavirus Epidemic, New York Times, 28 January. There have been a number of similar articles pointing out the link between human destruction of biodiversity and the prevalence of viruses that cross the barrier between wild animals and humans. I have found it useful to summarise them and so am sharing here in case it is helpful for others also.
We’re doing a daily bird-watching hour as part of our family coronavirus WhatsApp group. Obviously there’s quite a big risk of repetition of sightings of sparrows, or the Groundhog Day magpie who learns anew each morning that it can’t hang onto the fat ball feeder long enough to get a bite in, so I was dead pleased yesterday to see a lark rising vertically up into the blue sky from the moorlands on the ascent of Tor y Foel (social distancing of at least 200m from the four other people I saw also out for a bit of exercise).
One of the upsides of Coronavirus home isolation is an increased chance to listen to music. In more normal times, I mostly discover new bands from chance attendance at concerts, and hear new tunes in record shops. In what might become a temporary/regular markontour feature, I offer up for collective enjoyment the bands and songs I have instead been introduced to in the last week via radio (mostly BBC Radio 6 Music and KEXP), Spotify and YouTube:
It’s been a markontour rule to always make an effort to see the support act, ever since I ill-advisedly bought tickets to see Simply Red (it was about 1988) but was rewarded by being introduced to The La’s. It is an approach to gig-going that reaped rewards again on Friday night, when Sierra Ferrell stole the show at the Teragram Ballroom, Los Angeles.
I have long intended to start a blog site dedicated to reviews of planetariums and observatories. It would have been even more niche than markontour’s usual output, so perhaps it’s just as well it never happened. But if I were to start such a stargazers blog, the Griffith Observatory and park in Los Angeles, which I visited this weekend, would have to be the first entry.
It has always been a markontour rule that while it is clearly wrong to assess a person by their looks, and generally an error to judge a book by its cover, it is completely acceptable to buy music on the basis of the album artwork alone. It is an approach that has stood me in good stead from London Calling to the Stone Roses, and is thoroughly vindicated in the case of the Black Pumas.