This weekend’s British Sea Power curated Krankenhaus festival on the Cumbrian coast has been pure joy. Housed in a barn on the Muncaster Castle estate, it felt like a legal rave curated by a nature-loving art-school band. Where else would you get hear everything from folk to tree-people trance, alongside a reading from the poet laureate, late night DJ-ing from a snooker legend, and musically enhanced bingo from Japanese punk band?
A recent blog by my colleague, Luke Sherlock, comes highly recommended by markontour and is well worth a read for anyone still wondering if China is serious about building an ‘ecological civilisation’. Reviewing Barbara Finamore’s recent book, ‘Will China Save the Planet?’, Luke highlights that China’s federal government is quietly delivering something like the Green New Deal that a growing climate emergency movement is demanding in the USA and Europe (and is already being delivered in cities like Los Angeles and New York).
This year’s Glastonbury will be remembered for the sunny weather, for sure, but also the most extraordinary Pyramid stage show that I can remember in twenty-seven years as a Glastonbury regular. 2019 is the year that Stormzy headlined Glastonbury.
During a London Climate Week event at Chatham House* last week an audience member asked the panel of which I was a member “How are we going to make people pay for climate action?” Given that the questioner had introduced herself as representing the oil company, Shell, my flippant response was that I knew where to start – by taxing those who have done the most to cause a climate crisis, namely fossil fuel companies like Shell. In fact we should tax them out of business, because companies that continue to put short term profit before the continued existence of the human race don’t have a place in a climate-safe world.
Radio, a mesmerising one-person play at Dalston’s Arcola Theatre, will make you laugh, ponder, look at the Moon in a new way, and always carry a playing card or two in future.
An incident at Malmo station yesterday meant my train to Stockholm was cancelled. I took advantage of an extra night in Copenhagen by going to see The Tallest Man on Earth at the extraordinary new DR Koncerthuset, a venue that looks like a giant cave, hewn out of granite and lined with oak. It turned out to be a magical experience, witnessing a unique performer entertaining with verve and panache.
For a quick trip to radio heaven, listen to Cerys Matthews’ show from 9 June 2019. Jeff Towns of Dylan’s Mobile Bookstore joins Cerys to discuss Idris Davies’ poem ‘The Bells of Rhymney’, which may be the most influential poem you’ve never heard. Documenting life in the South Wales mining villages of the 1920s, and based on Davies’ own experiences of following his father down the pits aged 14, the poem clearly influenced Dylan Thomas’ ‘Under Milkwood’ (just listen to the start), inspired Woody Guthrie’s ‘Talking Centralia’ (or ‘Talking Miner’), and was put to music by Pete Seeger, only to be covered first by Bob Dylan and then The Byrds.